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Very interesting article and process. > "A huge part of the joy came from working in Ableton Live 12, which now feels like an extension of how I think" I feel
by chaosprint 2y ago
Very interesting article and process.
> "A huge part of the joy came from working in Ableton Live 12, which now feels like an extension of how I think" I feel the same way, but for Reaper
Seeing the author mentions that decomposition of the snare is the hardest, and that’s what I was trying to solve in https://github.com/chaosprint/RaveForce https://github.com/chaosprint/RaveForce (just an idea).
Multimodality AI is much more powerful now. I wonder how helpful it would be for music and art education if AI could help us deconstruct some songs.
When I was teaching kids with Glicol, I often used KraftWerk’s Das Model as an example:
https://glicol.org/demo#themodel https://glicol.org/demo#themodel
This rough midi version is very different from the original, but the kids had a lot of fun messing around with it.
- krnsll 2y ago> I wonder how helpful it would be for music and art education if AI could help us deconstruct some songs. Was thinking along the same lines as I fell into the trap of Ghiblifying pictures earlier this week. As someone who spent countless hours in my childhood trying to copy the styles of my favorite comic books (Japanese and otherwise), at some point in this AI exercise I started rendering each picture in the artistic styles of each of my favorite artists and placing them side by side for comparison. Realized an exercise like this would have been very useful back when I drew in comparing different styles and what _exactly_ made them different. Maybe it speaks more to how I think —- lacking a true artistic intuition —- but simply comparing styles and giving words to their distinctions helped me appreciate them in a way I hadn't (of course the AI didn't produce a perfect representation but a crude enough approximation)