4 ms·
Some other ideas: - 2 bar patterns would also be great. Many patterns repeat over 8 quarters. - Allowing accents (dynamics). A lot of drum patterns involve ju
by flakes 2y ago
Some other ideas:
- 2 bar patterns would also be great. Many patterns repeat over 8 quarters.
- Allowing accents (dynamics). A lot of drum patterns involve just a few drums, where accents are what bring the pattern to life.
With accents and triplets, you can have the Purdie shuffle [1], which is one of my favorite patterns ever :)
:[1] https://tomtommag.com/wp-content/uploads/2011/10/Purdie-Shuffle.jpg https://tomtommag.com/wp-content/uploads/2011/10/Purdie-Shuf...
- wesz 2y agoCould you provide some kind of mockups of different bar patterns you would like to see implemented?
- flakes 2y agoThat link I sent is an example of standard notation I used when playing set. For accents, something like bigger or smaller circles could work fine. Purdie shuffle would look like: 1 2 3 4 hh |x-xx-xx-xx-x| S |-o--o-Oo--o-| B |o----o-----o| Or something like a basic jazz shuffle: 1 2 3 4 hh |x--x-xx--x-x| S |---o-----o--| B |o--o--o--o--|
- 082349872349872 2y agolooks like the original TR-808 handled triplets, see p.15 of the manual: https://cdn.roland.com/assets/media/pdf/TR-808_OM.pdf https://cdn.roland.com/assets/media/pdf/TR-808_OM.pdf ; for example, the SHUFFLE and BOOGIE on p.13 of the sample patterns at the end of the manual.