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Rembrandt to Picasso: Five ways to spot a fake masterpiece
- WalterBright 2y agoIt's kinda funny in a way. If you believe it is real, does it matter if it is a fake? If the only difference is titanium in the paint, does that make the actual painting better or worse?
- umvi 2y agoArt is like cryptocurrency. It's valuable because it's scarce, not because it has intrinsic worth or beauty.
- sagacity 2y agoIf that were the case, why do museums exist, according to you?
- mmooss 2y agoI agree to a great extent, especially regarding copies. Why don't people just have top-notch copies of masterpieces made for their walls? Status? You look cheap? (Possibly, the undistinguishable works in the article are of rare quality, and others are missing what makes the masterpieces special.) But to the degree art is an individual's self-expression, then the fake is what you want. It's not giving you insight into and empathy with a person. You might as well be in love with an AI.
- WalterBright 2y ago> It's not giving you insight into and empathy with a person I'm interested in the beauty of the painting.
- mmooss 2y agoRight, that was one of the possibilities I intended in the GP. So why not get good copies made of masterworks? I've thought seriously about it. I sort of tried one. One challenge is that what makes great art exceptionally beautiful is in the 0.0..01% - it's the 99.99/0.01 rule of art. Can an artist making copies reproduce that, even following the genius's completed idea? (Also, they probably won't be working from the original.) I am also going to present an idea for something in addition: The beauty of almost anything is mostly emotional appeal. That song I love, the person I'm attracted to, the architecturally amazing building I see on my commute every day - they have an emotional effect. Arguably, what else is 'beauty' in our minds? What else is the effect of the harmony of certain sets of colors or shapes or representations of life, or the disharmony of others? In much artwork, we can find a deeper emotional connection when we choose to, seeing as a product of the creator's mind and soul, one work a result of a lifetime of being human, maybe decades of exploration as an artist as well as expert skill and knowledge development, and the weeks / months / or more put into that particular vision. And we get to stand there and stare at it, at them, delving into their mind and soul. When else can we do that; when else does someone express something so deep so openly - and with such expertise - and we can examine it?
- bruce511 2y agoThere are two ways to look at art. First is for you personally to have something you enjoy to look at. Second is to have sonething that impresses others (perhaps a buyer.) Owning a beautiful Van Gough is a pleasure to look at. Frankly if it visually fools an expert then it completely fulfill goal 1. But if you're trying to impress others, or a buyer, then the point is not the painting itself, but rather the status it imbues. To those that value status, faked status is the worst offense. Of course if the point is to show "I can afford to spend x million on a painting ", and you did, then forgery or not presumably you've achieved the goal. Once you get beyond "pretty picture" the art world is completely arbitrary.
- WalterBright 2y agoI've hung prints on the walls, but they aren't as nice as an actual painting, as the paint gives it a glow and 3D look that a flat print cannot match. I'd be happy hanging up worthless fakes that it takes an expert to discern from original great art. My computer "wallpaper" throws up scans of great works of art. Unfortunately, it is bafflingly hard to find good scans of that stuff. It's all public domain, what's the problem?
- dontlaugh 2y agoIndeed https://en.wikipedia.org/wiki/F_for_Fake https://en.wikipedia.org/wiki/F_for_Fake
- xhkkffbf 2y agoI agree that it doesn't matter to many people. If the image is great, then it's great art. End of story. But when it comes to history, fake art can pollute our knowledge of the painter and the history. While many fakes use the same typical subjects, imagine that a faker created a canvas with a different story. If this story gets injected into the history, everyone's knowledge of the painter is corrupted.
- deleted 2y ago[deleted]
- MrMcCall 2y agoIf anyone wants to watch one of me and my teens' favorite documentaries ever, check out the story of art forger Mark Landis (https://en.wikipedia.org/wiki/Mark_Landis https://en.wikipedia.org/wiki/Mark_Landis), named "Art and Craft" (https://artandcraftfilm.com/ https://artandcraftfilm.com/). It's very strange and a bit sad but gripping. "I'm addicted to philanthropy." --Mark Landis
- BrenBarn 2y agoWow, fascinating!
- mootothemax 2y agoOnce upon a time, I worked on behalf of a few luxury goods makers, tracking down counterfeit versions of their items, and getting the obvious and less obvious fakes removed before anyone could waste money (and their perception of the brand) on them. A few times, I would be invited to company HQ and introduced to the product, have the stitching and design details explained to me, a lay humble scruffy programmer. I can still spot a quality handbag from miles away because of it. The work itself was _fascinating_ to me, and spotting fakes was... obvious but only once you knew _why_ it was obvious. A couple of examples: * (easiest) Does brand X make phone covers? Well, probably not because that would make them look cheap and accessible to all, and that's _very much not_ the point of being a luxury goods house. * (... tricker) Are there _any_ loose stitches visible, or imperfections of any kind? If I had been thinking logically, this wouldn't be an issue. But, like the buyers, I hadn't been, and I hadn't realised that -of course- luxury goods are hand checked by many people, many times over, because... again, that's the whole point of being a luxury goods house. While there was plenty to learn about mismatched parts - plus the joy of independent designers creating new and sometimes quite brilliantly designed new items (always a shame, some of them knew the brand styles staggeringly well) - looking at the zips that match a leather which match so-and-so design element, the examples above covered the majority of counterfeit items by far. Can't imagine it's changed that much in the meantime.
- 6stringmerc 2y agoI’m not an expert but it’s incredible with guitars as well - the craftsmanship when comparing something off an assembly line versus a true luthier crafted instrument. There are visual clues easy to spot like the tuning pegs, but upon closer inspection of the fretboards the material used for inlays is an indication, and then the intricacy of fitment. With something like an acoustic guitar - Pimentel versus an off the rack Breedlove, the sound will be staggeringly different and you’ll understand where the extra $9,000 came from. There are of course forgeries in music instruments of high value - violins - and the ugly reality that Chibsons exist and are pieces of shit because they’re produced by a culture with serious fucking problems relating to creativity and freedom of expression and individuality.
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- black_13 2y ago[dead]
- elnatro 2y agoIf the fake has been a great art effort… wouldn’t that be an art piece by itself? What I mean by this is that the Roman copies of Greek statues are seen as “art” today. Is just a matter of perspective or legality?
- Daub 2y agoTrue story. When I was a kid I worked in an auction house that sold many paintings. Painting of ships flying the American flag were very highly sought after. It was an open secret that paintings flying any other flag would be bought and the flag replaced by an American one by an ‘art restorer’. These were then sold at great profit.