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I mean, sure, but it depends a lot along which dimension you make the comparison. There, you are looking at a shot in broad daylight, on modern film, printed at
by kqr 2y ago
I mean, sure, but it depends a lot along which dimension you make the comparison. There, you are looking at a shot in broad daylight, on modern film, printed at a small size. To make it more obvious, here's a comparison: The daylight shot printed at small size[1] appears fairly detailed. The same film, same photographer, same camera, etc. only at night and presented as an ostensibly high-resolution picture[2] starts to reveal the problems with the older tech.
Usually the cameras themselves are fine – we perfected optics enough to not be a problem on 35 mm film in the 1800s – it's the medium on which the image is recorded that is more finicky. However, if we put the old optics onto modern sensors, we would start to notice its problems too. I don't have an example at hand, but there's noticeable chromatic aberration (no problem on black and white film!) among other things.
[1]: https://i.xkqr.org/22067536038_1aa2f85cc0_o.jpg https://i.xkqr.org/22067536038_1aa2f85cc0_o.jpg
[2]: https://i.xkqr.org/25120912716_d3822007b9_o.jpg https://i.xkqr.org/25120912716_d3822007b9_o.jpg
- deleted 2y ago[deleted]
- foldr 2y agoNit pick: chromatic aberration is a significant problem on panchromatic black and white film. (You don’t get color banding, for obvious reasons, but you do lose sharpness.) This is why the development of achromatic lenses long predates the widespread use of color photography.
- kqr 2y agoThat makes sense but I had never considered it. Thanks!