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Interesting article. I find it interesting that they recommended a book about acting to their employees. The book is called "Impro".
by supplemental 2y ago
Interesting article. I find it interesting that they recommended a book about acting to their employees. The book is called "Impro".
- twobitshifter 2y agoIs it wrong to say that they are developing sociopaths in this fashion? Anyone ever read the book to say how it is applicable? If you were a client how would you feel about knowing that your interactions with your consultant were all an act? “Being a successful FDE required an unusual sensitivity to social context – what you really had to do was partner with your corporate (or government) counterparts at the highest level and gain their trust, which often required playing political games.”
- borski 2y agoYes, it’s wrong, because it isn’t an act. Improv isn’t about being fake or acting/lying.
- deleted 2y ago[deleted]
- mingus88 2y agoIt’s very wrong. Improv requires empathy and awareness of the person you are in a scene with. The dark triad personality traits are defined by an explicit lack of empathy and ability to connect with other people
- mikhailfranco 2y agoIt's not about well-rehearsed acting to bluff clients (like conventional management consultants). Impro is about improvisation: having a deep reservoir of experiences and reference points, but no pre-planned templates; empathizing with the client's situation; thinking fast; being open-minded and creative; challenging received wisdom; pulling disparate ideas together; assembling a synthesis; embodying a story; imagining a solution; presenting difficult concepts smoothly; having conviction in your ideas; high risk tolerance; be convincing; be committed to doing what you say and implement what you imagine; create a technical solution, an operational scenario, a bottom-up deployment plan, and a path to win strategic acceptance based on results.
- borski 2y agoIn short: Founder sales. (I strongly suggested to every employee to take some into improv classes for the same reason. I didn’t want them to be better actors. I wanted them to be better listeners, which is what improv is really about)