Its impossible to ignore the correspondences, but there's a difference between taking context as such as given, and recognizing that the tensions out of which a

Its impossible to ignore the correspondences, but there's a difference between taking context as such as given, and recognizing that the tensions out of which a work of art comes to be (recall the example of the Greek Temple) are already within a foreclosure of a fullness that would exclude all difference. Hence, context is nothing but irreconcilable difference.