I teach art and over the years I have come to understand that many people use art to subsume their neurosis (well duh I hear you say). What TFA describes is fam

I teach art and over the years I have come to understand that many people use art to subsume their neurosis (well duh I hear you say). What TFA describes is familiar to me as a typical form of this phenomenon - the cataloguer: artists who feel the need to give a home to that which is homeless, to elevate that which is humble. A highbrow example of this would be the work of Mark Dion. Interestingly, by her own admission Barbara Iweins (the artist whose work TFA features) self describes this project as being rooted in neurosis, specifically one that seems to be a response to lack of stability in her life. Similar projects seem always to have an unbound quality... like the labors of Sisyphus. So I guess my question to her would be "how would you know that this project is complete?" Is it complete now? According to TFA it is, yet I suspect that even with all the effort she has put into it, the itch is not yet scratched.