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If you don’t actually respect the artist who is getting cloned and replaced by lazy/AI versions of their work without compensation, sure. No problem with this a
by mingus88 2y ago
If you don’t actually respect the artist who is getting cloned and replaced by lazy/AI versions of their work without compensation, sure. No problem with this at all.
This enshittification of the streaming industry comes after decades of enshittification of radio (all clear channel owned in the U.S. now) and the total collapse of any revenue opportunities for making an album for a new artist.
It’s no wonder that the arts are dominated by nepo babies today. People who can treat creativity as an unpaid hobby, taking all risks with no consequences, and short cutting the path to popularity thanks to having family connections and wealth.
Taylor Swift had a rich daddy buy a record label for her. For everyone else, why bother?
- surgical_fire 2y agoIf an actual artist is being plagiarized, I would presume there are avenues for them to sue for that? Is this actually happening, or is this just a baseless claim?
- throw646577 2y ago> Taylor Swift had a rich daddy buy a record label for her. For everyone else, why bother? Taylor Swift (an insanely hard-working artist) started gigging when she was like 12 or 13, and her dad invested in (didn't buy) a startup record label, that built up a roster of artists and did very well on its own terms. (Despite being attached to Toby Keith) Record labels, publishing companies etc., do not cost much money to start up, actually. His investment was likely small, and also likely comparable to the cost of seeing a child through a college education. Less, perhaps. A quick google suggests he got 3% ownership for perhaps as little as $130K, which indeed is comparable to the total cost of getting a child through higher education in the USA. And of course her parents were helping her: she was 13. Did her dad make a pretty smart decision to ensure some influence over the people responsible for his daughter? Of course he did. You would. More generally: hang around your local (proper) music scene sometimes, and pay attention to which young starter bands have helicopter parents, and which do not. And then try to correlate that with success. Pushy helicopter parents are very often an active disadvantage, because promoters hate working with them. And they are inherently uncool. Even -- perhaps especially -- when they used to be cool.