It's important to note that the author suggests this approach for estates where the original creator has already died. This reduces the risk of a work being mi

It's important to note that the author suggests this approach for estates where the original creator has already died. This reduces the risk of a work being mis-valued, since it's probably already had time to mature in the market. That said, it does feel like this would give even more creative control to holders of capital, which is already a problem in the United States.