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I learnt to draw long ago but I started dancing at the age of 45 and got decent. It helped a lot that I'd learnt a few things about how to learn: * give yourse
by egypturnash 2y ago
I learnt to draw long ago but I started dancing at the age of 45 and got decent. It helped a lot that I'd learnt a few things about how to learn:
* give yourself permission to suck, you don't know a goddamn thing yet and you know this
* if you notice that you're terrible at doing some part of the work, don't keep making excuses to avoid it - dive into it, embrace the suck, watch closely to see what you're doing wrong and try to not make the same mistake the next time
* keep doing it, find a way to make it a regular thing
specific to drawing:
* you have a few major tasks: install a simple 3d renderer on your brain, learn to break things you see down into simple shapes and build them back up on the paper, and learn to move your body so as to control your favorite mark-making device (pen, brush, stylus, sponge, spray can, etc)
* the first two tasks carry over to any medium but the last one may not - I've been experimenting with paint lately (after 25y of working in Illustrator) and I have absolutely no real idea of how to efficiently use brushes and other objects to put paint where I want it, so right now I have a few canvases that I'm much more concerned with experimenting with different ways to make marks on then I am concerned with making a nice image on. that said, pencil/pen on paper is a great medium to start with, it's easy to get a decent array of marks out of them without much practice, plus you can easily carry it around in your bag and take it out wherever you go with very little hassle
* study masters, think about what they're doing, copy/work over their stuff - trying to make your hand move the same way as someone much more skilled than you is very powerful, if you know enough to make some guesses about how they made the marks you can see. "How would [master artist you love] handle this image?" is a great question to be able to ask yourself when you're stuck on something.
I hear drawabox is pretty good for the "install a simple 3d renderer and some basic models on your brain" part of this task list. Me, I mostly learnt from the Preston Blair book on Animation, Bridgman's Constructive Anatomy, Loomis' Figure Drawing for All It's Worth, and a life drawing class with a teacher who was largely following Glenn Vilppu's Drawing Manual. That last took me from "you seriously want us to start with 10-20 second poses to start each class?" to "noting down enough of a pose in 10s to turn it into a full drawing later is a blast".
also, take care about ergonomics, you can fuck your wrist up badly, learn to "draw from your arm" instead of "drawing from your wrist", once you do it will let you draw faster and larger, and it will help you keep the Carpal Tunnel Fairy away from your wrist.
- 22c 2y agoI think you've hinted at it, but years ago I was interested in learning how to draw and was given the advice of drawing poses on a timer (I think it was 120s but the goal is to eventually get it down to 30s or less). There were websites back then which would automatically flip to the next pose once the timer ran out, you'd have to start a new page and sketch it out again. If you do this for even 10-15 minutes a day every day, you eventually start to see an improvement on your ability to draw poses (starting with picking up on which lines are the most important to convey a silhouette, eventually moving into things like muscles, bone structure, etc.). You can even refer back to your earlier drawings to see the progression. I never got any good because I didn't stick with it, but I did get a lot better than how I was when I started.
- Pamar 2y agoThese sites still exist, this is how I started: https://line-of-action.com// https://line-of-action.com//
- egypturnash 2y agoYes, when I was taking life drawing classes in animation school, every class opened with about 15 minutes of 10-60sec poses, followed by some longer poses, as well as chunks of lecture from the teacher on how various body parts are put together and how to think about that on the page. Those short poses seemed impossible at first but very quickly became pretty good. Later on a regular exercise at one of the studios I worked at was "cartoon life drawing", we'd pause a video tape on a good frame from an old WB cartoon, and draw. There was a built-in timer since the VCR would only hold a single frame for so long before saying "okay we're playing again now".