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Image generation with stable diffusion was useless, most of the time it makes images that don't even make any sense, like driving a car and driver is sitting in

Image generation with stable diffusion was useless, most of the time it makes images that don't even make any sense, like driving a car and driver is sitting in air outside of the car. Music generation is just mangled music from some popular band with custom lyrics, how can you think that you are creating something here?

JumpCrisscross 2y ago
> most of the time it makes images that don't even make any sense This is good enough for 90% of image use cases, which is mildly relevant filler between and next to text.
soulofmischief 2y ago
You can have that opinion. But for a creative person, any tool can be viable, and constraints often aid the creative decision-making process. Many artists are making use of these tools already across many mediums in order to create new sounds, imagery, 3d models from text, all sorts of things, and the people consuming it consciously are enjoying it. If an artist enjoys using a tool to make something, and their patron enjoys the creative output, do you or I have any right to judge or admonish their process? Visionaries see what is possible, they don't spend their time critiquing things that aren't perfect and instead recognize and engage with novel, paradigm-shifting tools. I understand not wanting to interact with low-effort VC-driven bullshit, but there's a lot of amazing work being done in the open by scientists and enthusiasts. The endgame, after these tools are developed and ironed out, will be a wealth of highly creative content like we've never experienced. We can shit on these tools or grab a shovel and try to improve them, which is what a huge community of people is doing right now despite the criticism.
- silver_silver 2y ago
  The vast majority of artists hate generative models with a passion. Many have stopped publicly sharing their work because they feel violated by their work being used to train them
  - HappMacDonald 2y ago
    [Citation Needed] It is my understanding that artists up in arms over AI are merely a noisy minority. Artists who couldn't be chuffed or who like AI and perhaps even use it as a tool are not per capita likely to scream quite as loudly about their positions or try as hard to dominate the narrative. Reading the headlines 200+ years ago it would have been easy to assume that all weavers hated Jacquard looms, as well. Especially in light of the fuming Luddites that had a tendency to break into shops and smash them up. But at the end of the day, a person really has to pick a side: Is AI imagery worthless slop or is it a dangerous force that will replace human artists? I'd suggest that anyone legitimately unable to compete against worthless slop must be vastly overestimating the quality of their own work.
    - silver_silver 2y ago
      According to this survey [1] of 1000 visual artists, 95% believe they should have a say in whether their art is used for training. That much should be obvious. As for hating it with a passion: that's an anecdote from my circle and the discussions I've seen online outside of tech bubbles. You say it's more efficient but I think if artists were fairly compensated for their work, or at the very least had a say in the process, it would be too expensive or not have good enough output to compete. On top of that, it uses A LOT more energy - which should be enough to exclude it as an option considering the current trajectory of climate change. Aside from that we need to consider the more philosophical question of whether we want to make creative dream jobs even more impossible to find. Should we degrade the public space even more with an avalanche of "good enough" imagery simply to improve margins for the executive class? Computers have already made every level of developed economies significantly more productive and yet individuals are worse off financially than they were in the 90s. All this pipedream of replacing workers with AI will do is relegate them to manual labour or lock them into some barely-enough universal basic income scheme. [1] https://www.dacs.org.uk/news-events/artificial-intelligence-report https://www.dacs.org.uk/news-events/artificial-intelligence-...
      - soulofmischief 2y ago
        The anti-compute pro-climate argument is so tiresome and it ignores that compute requirements decay non-linearly over time. Additionally, as an artist myself I don't really much care what "the majority" of artists I think, I didn't become an artist to follow trends and outsource my own critical thinking. As a software engineer, I have a level of understanding behind these models that far surpasses the average artist. As a technological visionary, I understand where the technology will lead, as well as its inevitability. The cat's out of the bag. So I don't very much value the average uninformed opinion. > Aside from that we need to consider the more philosophical question of whether we want to make creative dream jobs even more impossible to find Technological progress always leads to the destruction and creation of jobs. People similarly bashed the loom, the printing press, calculators, computers, the internet, cars, planes, you name it. There's no benefit in being a Luddite. Intelligent and aware engineers and artists are incorporating these tools into their workflows today, or at least staying informed, so that they find themselves still employed in whatever future is ahead of us.

JumpCrisscross 2y ago

> most of the time it makes images that don't even make any sense This is good enough for 90% of image use cases, which is mildly relevant filler between and next to text.

soulofmischief 2y ago

You can have that opinion. But for a creative person, any tool can be viable, and constraints often aid the creative decision-making process. Many artists are making use of these tools already across many mediums in order to create new sounds, imagery, 3d models from text, all sorts of things, and the people consuming it consciously are enjoying it. If an artist enjoys using a tool to make something, and their patron enjoys the creative output, do you or I have any right to judge or admonish their process? Visionaries see what is possible, they don't spend their time critiquing things that aren't perfect and instead recognize and engage with novel, paradigm-shifting tools. I understand not wanting to interact with low-effort VC-driven bullshit, but there's a lot of amazing work being done in the open by scientists and enthusiasts. The endgame, after these tools are developed and ironed out, will be a wealth of highly creative content like we've never experienced. We can shit on these tools or grab a shovel and try to improve them, which is what a huge community of people is doing right now despite the criticism.

silver_silver 2y ago
The vast majority of artists hate generative models with a passion. Many have stopped publicly sharing their work because they feel violated by their work being used to train them
- HappMacDonald 2y ago
  [Citation Needed] It is my understanding that artists up in arms over AI are merely a noisy minority. Artists who couldn't be chuffed or who like AI and perhaps even use it as a tool are not per capita likely to scream quite as loudly about their positions or try as hard to dominate the narrative. Reading the headlines 200+ years ago it would have been easy to assume that all weavers hated Jacquard looms, as well. Especially in light of the fuming Luddites that had a tendency to break into shops and smash them up. But at the end of the day, a person really has to pick a side: Is AI imagery worthless slop or is it a dangerous force that will replace human artists? I'd suggest that anyone legitimately unable to compete against worthless slop must be vastly overestimating the quality of their own work.
  - silver_silver 2y ago
    According to this survey [1] of 1000 visual artists, 95% believe they should have a say in whether their art is used for training. That much should be obvious. As for hating it with a passion: that's an anecdote from my circle and the discussions I've seen online outside of tech bubbles. You say it's more efficient but I think if artists were fairly compensated for their work, or at the very least had a say in the process, it would be too expensive or not have good enough output to compete. On top of that, it uses A LOT more energy - which should be enough to exclude it as an option considering the current trajectory of climate change. Aside from that we need to consider the more philosophical question of whether we want to make creative dream jobs even more impossible to find. Should we degrade the public space even more with an avalanche of "good enough" imagery simply to improve margins for the executive class? Computers have already made every level of developed economies significantly more productive and yet individuals are worse off financially than they were in the 90s. All this pipedream of replacing workers with AI will do is relegate them to manual labour or lock them into some barely-enough universal basic income scheme. [1] https://www.dacs.org.uk/news-events/artificial-intelligence-report https://www.dacs.org.uk/news-events/artificial-intelligence-...
    - soulofmischief 2y ago
      The anti-compute pro-climate argument is so tiresome and it ignores that compute requirements decay non-linearly over time. Additionally, as an artist myself I don't really much care what "the majority" of artists I think, I didn't become an artist to follow trends and outsource my own critical thinking. As a software engineer, I have a level of understanding behind these models that far surpasses the average artist. As a technological visionary, I understand where the technology will lead, as well as its inevitability. The cat's out of the bag. So I don't very much value the average uninformed opinion. > Aside from that we need to consider the more philosophical question of whether we want to make creative dream jobs even more impossible to find Technological progress always leads to the destruction and creation of jobs. People similarly bashed the loom, the printing press, calculators, computers, the internet, cars, planes, you name it. There's no benefit in being a Luddite. Intelligent and aware engineers and artists are incorporating these tools into their workflows today, or at least staying informed, so that they find themselves still employed in whatever future is ahead of us.