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It happens everywhere in marketing, at all levels. Strippers, movie stars, ballet dancers. Anyone whose job it is to reach eyeballs and build a 'brand'. It is
by 23B1 2y ago
It happens everywhere in marketing, at all levels. Strippers, movie stars, ballet dancers. Anyone whose job it is to reach eyeballs and build a 'brand'.
It is nigh on impossible to get a literary manager these days unless you have a sizable social media following, for example.
It's absolute brain rot.
- zztop44 2y agoBut that simply follows on from a shift in consumer behaviour. It’s nigh impossible to sell literary prose at any significant volume unless you have a sizeable social media following. The only exceptions are people who have a sizeable traditional media following and a specific personal reason for not being on social media.
- 23B1 2y ago"that simply follows on from a shift in consumer behaviour" feels hand-washy. chicken/egg of course, but the question people – especially technologists – should be asking is: is that really helping society progress? I would argue, like this article does, that it isn't and is indeed harming society by atomizing and attempting to quantify behavior in the name of 'choice' which of course is a non-sequitur. The commercial engines should be in service of humanity and enrichment, not the other way around. A brilliant writer isn't a social media maven, nor should they be.
- InkCanon 2y agoThe main hack these commodification entities makes seems to be to disrupt the traditional flow of information and valuation, then create a new marketplace it controls. For books, I imagine many centuries ago the literary class wrote and read books largely from the social and intellectual forces at the time. The smallest unit of these interactions would be a member reading a book, liking it and recommending it to his friends. The net aggregation of such would slowly produce a trend, communicating to writers that there was a higher chance of being read if you followed it. Now such exchanges have been consumed by digital marketplaces. The sheer size means writers have to make a Faustian bargain to bend to it's needs, while readers have a curated list of books for them. Any well reading writer and reader have an impossible time communicating because the main flow of information has been hijacked.