> That's not to say there wasn't artistic merit in the project as a whole Yeah, I think what really made it work is the context of Seinfeld's conceit of being

> That's not to say there wasn't artistic merit in the project as a whole Yeah, I think what really made it work is the context of Seinfeld's conceit of being a "show about nothing" while also being so influential that people encountering it for the first time today tend to see it as a bland proto-sitcom. It wouldn't mean the same thing to give that treatment to a show like Full House or Family Matters.