5 ms·
The physical object can be passed around without copyright coming into play. Copyright law has special provision for interlibrary loan, and archival copies. Th
by indigovole 2y ago
The physical object can be passed around without copyright coming into play. Copyright law has special provision for interlibrary loan, and archival copies.
There is nothing in the law that supports making a digital copy and and using technical safeguards to transfer it to exactly one person at a time - except licensing under the exclusive rights of the rightsholder.
Congress could write something into the law to support this kind of digital lending. However, Congress has been largely unable to accomplish anything interesting or innovative for a long time now, outside of a couple of flagship goals for one party or the other. Copyright law hasn't seen a substantial revision since the Act of '75, and ... a few ... things have happened since then. [DMCA added some new provisions for anti-circumvention and for safe harbor, but it didn't add new exemptions that most people care about, or modify the exclusive rights in any way.]
The entertainment/publishing industries have usually gotten what they want in past revisions, but by now the tech industry is pretty strongly on the opposite side. It would be interesting to see what kind of crazy-quilt changes got patched together in a significant revision.
- ranger_danger 2y agoOk I didn't think about the fact that a digital scan of a book is technically a copy. So I guess there isn't a good established law on how to handle that, you're right. I was wondering why in the ruling they were even referring to the scanned books as a copy and it just wasn't clicking in my head. Thanks
- shagie 2y agoThere is law - its in the carveout and printed above the copiers in a library that stems from https://www.law.cornell.edu/uscode/text/17/108 https://www.law.cornell.edu/uscode/text/17/108 > The rights of reproduction and distribution under this section extend to the isolated and unrelated reproduction or distribution of a single copy or phonorecord of the same material on separate occasions, but do not extend to cases where the library or archives, or its employee— > is aware or has substantial reason to believe that it is engaging in the related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended for aggregate use by one or more individuals or for separate use by the individual members of a group; or > engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work. ... > (1) For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation, scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A), (B), and (C) of paragraph (2) apply. > (2) No reproduction, distribution, display, or performance is authorized under this subsection if— > (A) the work is subject to normal commercial exploitation; > (B) a copy or phonorecord of the work can be obtained at a reasonable price; or > (C) the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A) and (B) applies. --- I believe that the covering of scanned / copied materials by a library are fairly well covered, and that Internet Achieve stepped clearly beyond that definition.
- codedokode 2y agoThe rule that allows libraries to work is first-sale doctrine: once you bought a physical book you may re-sell or lend it without permission from copyright owner [1]. However you cannot do this with digital books because DRM doesn't allow that. So IA invented scanning physical books (that are legally bought and not circulated after this) as a countermeasure to allow lending digital books the same way as physical. So do you side with the publishers who believe that "first-sale doctrine" should not apply to digital books? Here is a quote from Article 109: > Notwithstanding the provisions of section 106(3), the owner of a particular copy or phonorecord lawfully made under this title ... is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord. > (c) Notwithstanding the provisions of section 106(5), the owner of a particular copy lawfully made under this title ... is entitled, without the authority of the copyright owner, to display that copy publicly, either directly or by the projection of no more than one image at a time, to viewers present at the place where the copy is located. This allows library to "dispose" the posession of the book as I understand. So why this should not be applied to digital copies? [1] https://www.law.cornell.edu/uscode/text/17/109 https://www.law.cornell.edu/uscode/text/17/109
- indigovole 2y agoI'm not sure what you meant by the quote talking about the right to display the copy - again, a material object - publicly. A used book store or record store is allowed to show the book or record for sale. It's not allowed to, say, play the record for a party - that's the performance right - or make a movie out of the book. It's allowed to display the physical object.
- Y_Y 2y agoIt's not totally clear to me that those are different. For example, if you have a painting or some other flat, static creative work, then public "display" and "performance" are the same. You don't need a positive law to say you can show people a DVD box. Additionally, some works are unique or at least not commodities like a Shrek DVD, in this case how can you let the buyer know what they're buying without letting them watch the DVD or open the book?