I will admit that I already had some familiarity with the topic, but I feel you did an amazing job at explaining specifically the constraints you're under as a

I will admit that I already had some familiarity with the topic, but I feel you did an amazing job at explaining specifically the constraints you're under as a composer, and in elucidating how having digital tools doesn't magically solve the problems you face in harmonizing in just intonation over the course of a piece. I had not really understood that before reading your article, and at least suspected that we might transition to hearing mostly Just Intonation eventually as digital tools became more widely used. Of course you could make it more accessible by starting from some even more basic principles and elaborating further on those foundations, but then you risk losing some of our audience that's already familiar with those. For me at least you struck a good balance. (No pun intended!)