3 ms·
Because we don't listen to music the same way we listened in Bach's time. The Italian movie director Frederico Fellini hated television because it destroyed th
by diego_moita 2y ago
Because we don't listen to music the same way we listened in Bach's time.
The Italian movie director Frederico Fellini hated television because it destroyed the ceremony of movie theatres. He complained that before television watching movies was a ritual. People would program it in advance, invite friends, dress sharply, take hours to go downtown (no multiplexes back then) and discuss the movie at length with others. That's how you'd get dense movies like the ones from John Ford, Sergei Eisenstein, Alfred Hitchcock and David Lean.
When television came it banalized the experience. As Fellini said, people would watch movies in pyjamas while the dog was barking outside spoiling it all. True, after some time, television learned how to make solid drama (Sopranos, The Wire, etc). But that was just a glimpse, streaming will erase that.
Similarly, in Bach's time, music was rare and, because of that, meant to be transcendental, to be extraordinary and to be played in extraordinary gothic cathedrals, audiences expected it that way. And, btw, Bach-like music was extremely rare during baroque times. Apart from a few Italian and French composers, no one in the Baroque era did anything really remarkable.
Today, music is played on Spotify. It is cheap and discardable. Can't be Bach, will never be.
Edit: remember, the shift from Bach's standards began during his late years (1750). He was considered old-fashioned and his sons (Carl Philip Emanuel and Johan Christian) began composing in a style different from his father's. 3 crucial elements to understanding this change were the rise of a bourgeois class demanding entertainment, the growing market for concert halls and the industry of music publishing for private entertainment. This lead to the production of music more "accessible", simpler and easier to play. Mozart and Haydn were the new masters.