Oh OK, that's quite cunning, and relevant to the article, where Monet is painting a sunset but the scene in front of him is copied from the painting, and so the

Oh OK, that's quite cunning, and relevant to the article, where Monet is painting a sunset but the scene in front of him is copied from the painting, and so the sun emits no light and has no glare and hangs in the sky like a levitating egg yolk. Perhaps impasto on the sun could help there (perhaps it does, on the real painting).