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« Et tous les bourgeois du 16ème / Se demandent pourquoi je t'aime » What's the (north african?)-set movie to which Mika refers in this tube? https://www.youtu

« Et tous les bourgeois du 16ème / Se demandent pourquoi je t'aime » What's the (north african?)-set movie to which Mika refers in this tube? https://www.youtube.com/watch?v=_MPtXUeUznY https://www.youtube.com/watch?v=_MPtXUeUznY While I find my eyes and ear (même les américaines comprennent) caught by Mme Mac, and I wouldn't have the foggiest in what context "molly with a Dilly" might usually occur, the video and text make one suspect that MM. Doriand and Mika tended to foreground the other characters (do long guns imply rough trade?). [come to think of it, an odd bent would probably have been a career advantage at Bletchley, in that one might have been already habituated to picking up on metadata during traffic analysis?]

defrost 2y ago
Hell of a tangent, near non contact but, FWiW I pretty sure it's a Sergio Leone film, many of which had sequences shot in Spain and some in North Africa (IIRC) - the blanket toss back is such a trope. The following piano man bars just prior to the singing are, to my ear, a definite riff on Moby's Extreme Ways that was repurposed for the Jason Bourne films. So bouncy .. does no one call back to Arthur Rimbaud anymore? https://genius.com/Paul-kelly-and-the-messengers-the-execution-lyrics https://genius.com/Paul-kelly-and-the-messengers-the-executi... Everyone loves long guns, how else can you reach the gate from the house? https://www.youtube.com/watch?v=7owwTz7Z0OE https://www.youtube.com/watch?v=7owwTz7Z0OE
- 082349872349872 2y ago
  > Hell of a tangent, near non contact All transverse geometries are alike, each non-transverse geometry fails to be so in its singular manner.
- 082349872349872 2y ago
  Viktor Tsoi (XX): Солнце моё, взгляни на меня (my sun[shine], look at me) Mark and Sam (XXI): Солнце моё, взгляни за меня (my sun[shine], spot for me)
vinnyvichy 2y ago
Lawrence of Arabia Otherwise, it's Sierra Leone alright ("movie-set") (Or Maltese Falcon for a very loose def of "set" or "N Africa") [0] fr wikipedia for the song
- 082349872349872 2y ago
  Comme je suis bête ! In my defence I saw that one in a 747, so low cabin pressure may not have done my long term memory formation much good. (EDIT: looks like whatever I was remembering as LoA wasn't even that?) The multivalued functions are a relief — should the sparks/stars lit in my noggin by a comment align in a different direction from intended, it's not that I'm running riot in a deterministic world, but merely finding myself perhaps at the same coordinates, but on a different sheet, in a nondeterministic one? The Maugham story in which bumble-puppy appears (if slightly later in the decade than in Huxley) is worth reading, especially with the background that WSM worked for MI6 and had (orientation as well as valuation?) reasons to make use of glueings along branch cuts in his personal, as well as his professional, life. > In a place like the sanatorium where there was little to occupy the mind it was inevitable that soon everyone should know that George Templeton was in love with Evie Bishop. But it was not so easy to tell what her feelings were. It was plain that she liked his company, but she did not seek it, and indeed it looked as though she took pains not to be alone with him. One or two of the middle-aged ladies tried to trap her into some compromising admission, but ingenuous as she was, she was easily a match for them. She ignored their hints and met their straight questions with incredulous laughter. She succeeded in exasperating them. Being partway through Conflict, War and Revolution(2022)*, I think something may be coming together modelling all your options: Kaczynski and Galois may have been too idealistically violent (the one having done what he could unto others, the other having suffered what he must?) and Grothendieck too idealistically nonviolent (which obviously leads to minimising one's dot product with the world) but Kolmogorov found a nonviolent quadrant inside Machiavelli's pragmatic lead: Fortune provides a martingale process, and virtu consists of minimaxing one's expected interests with respect to her whim. On a planet like earth it is inevitable that men should seek the favour of Fortune, but it is rarely easy to tell what her feelings are. (or, for that manner, if they even be iid) * https://press.lse.ac.uk/site/books/m/10.31389/lsepress.cwr/ https://press.lse.ac.uk/site/books/m/10.31389/lsepress.cwr/

defrost 2y ago

Hell of a tangent, near non contact but, FWiW I pretty sure it's a Sergio Leone film, many of which had sequences shot in Spain and some in North Africa (IIRC) - the blanket toss back is such a trope. The following piano man bars just prior to the singing are, to my ear, a definite riff on Moby's Extreme Ways that was repurposed for the Jason Bourne films. So bouncy .. does no one call back to Arthur Rimbaud anymore? https://genius.com/Paul-kelly-and-the-messengers-the-execution-lyrics https://genius.com/Paul-kelly-and-the-messengers-the-executi... Everyone loves long guns, how else can you reach the gate from the house? https://www.youtube.com/watch?v=7owwTz7Z0OE https://www.youtube.com/watch?v=7owwTz7Z0OE

082349872349872 2y ago
> Hell of a tangent, near non contact All transverse geometries are alike, each non-transverse geometry fails to be so in its singular manner.
082349872349872 2y ago
Viktor Tsoi (XX): Солнце моё, взгляни на меня (my sun[shine], look at me) Mark and Sam (XXI): Солнце моё, взгляни за меня (my sun[shine], spot for me)

vinnyvichy 2y ago

Lawrence of Arabia Otherwise, it's Sierra Leone alright ("movie-set") (Or Maltese Falcon for a very loose def of "set" or "N Africa") [0] fr wikipedia for the song

082349872349872 2y ago
Comme je suis bête ! In my defence I saw that one in a 747, so low cabin pressure may not have done my long term memory formation much good. (EDIT: looks like whatever I was remembering as LoA wasn't even that?) The multivalued functions are a relief — should the sparks/stars lit in my noggin by a comment align in a different direction from intended, it's not that I'm running riot in a deterministic world, but merely finding myself perhaps at the same coordinates, but on a different sheet, in a nondeterministic one? The Maugham story in which bumble-puppy appears (if slightly later in the decade than in Huxley) is worth reading, especially with the background that WSM worked for MI6 and had (orientation as well as valuation?) reasons to make use of glueings along branch cuts in his personal, as well as his professional, life. > In a place like the sanatorium where there was little to occupy the mind it was inevitable that soon everyone should know that George Templeton was in love with Evie Bishop. But it was not so easy to tell what her feelings were. It was plain that she liked his company, but she did not seek it, and indeed it looked as though she took pains not to be alone with him. One or two of the middle-aged ladies tried to trap her into some compromising admission, but ingenuous as she was, she was easily a match for them. She ignored their hints and met their straight questions with incredulous laughter. She succeeded in exasperating them. Being partway through Conflict, War and Revolution(2022)*, I think something may be coming together modelling all your options: Kaczynski and Galois may have been too idealistically violent (the one having done what he could unto others, the other having suffered what he must?) and Grothendieck too idealistically nonviolent (which obviously leads to minimising one's dot product with the world) but Kolmogorov found a nonviolent quadrant inside Machiavelli's pragmatic lead: Fortune provides a martingale process, and virtu consists of minimaxing one's expected interests with respect to her whim. On a planet like earth it is inevitable that men should seek the favour of Fortune, but it is rarely easy to tell what her feelings are. (or, for that manner, if they even be iid) * https://press.lse.ac.uk/site/books/m/10.31389/lsepress.cwr/ https://press.lse.ac.uk/site/books/m/10.31389/lsepress.cwr/