the way I've dealt with semi-related issues is to regard 'engineered music' as it's own artform distinct from live music the archetype I'm trying to follow is

the way I've dealt with semi-related issues is to regard 'engineered music' as it's own artform distinct from live music the archetype I'm trying to follow is painting. when the camera was invented photorealistic paintings became usless and what followed was impressionism, which focused on what the cameras cannot do. however I do not think music has reacted to reccording technology in the same way painting did (pretending for one sentence that 'music' and 'painting' are entities with agency). I don't think there's an "impressionistic" movement within music that arose as a response to reccording technology, at least not yet.