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You could also ask Adolf Loos[1]. The problem is that theory doesn't explain why specifically, modernism displayed traditional architecture starting in the 192
by kelseyfrog 2y ago
You could also ask Adolf Loos[1].
The problem is that theory doesn't explain why specifically, modernism displayed traditional architecture starting in the 1920s.
Was there a phase change in what businesses requested from architectural firms? Was there a systemic shift in shareholder relations, or how boards made decisions? Were non-ornamented buildings substantially less expensive? Do we have accounts of decision-makers requesting less ornamentation?
The issue that I have with this theory is that it's bottom-barrel speculation. It's no better than folk etymology and we shouldn't hold it to a lesser standard. There's more mundane explanations too, like architectural students were indoctrinated with modernism architectural principles because it was a shiny new design trend rather than an over-arching economy of hidden incentives that resulted in minimalism.
1. https://depts.washington.edu/vienna/documents/Loos/Loos_Ornament.htm https://depts.washington.edu/vienna/documents/Loos/Loos_Orna...
- trgn 2y agoPeople really underestimate the power of ideology, and especially in the blazing hot furnace that was the west after WW1. Loos formulation was still the best. Modernism was an attack against a bourgeois ethos, and a promise to deliver high quality to the masses. It became the aspirational aesthetic of the technocracy for these reasons. We refuse to believe this, it registers as completely absurd, that the motive force behind the collapse of architecture, would be a mindset, and have little basis in material reality.