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I love his way of putting it. Memorizing lines as a kid for plays always felt easy but it’s because of something like what he describes. My biggest play to mem
by dbish 2y ago
I love his way of putting it. Memorizing lines as a kid for plays always felt easy but it’s because of something like what he describes.
My biggest play to memorize was as one of the leads of The Importance of Being Earnest in high school and a big part of knowing it end to end was how I memorize talks today, just repeating it until you become the part, and feel like you know “your part” not “the lines”. You’re not regurgitating lines, you’re stepping through and reacting based on a set of information to a point where you don’t even feel like you’re trying to react. This also helps a lot with improvising when things go wrong since you’re just following the flow your character would with the stimuli, rather then having to step line by line through. The worst people to act alongside were the rote memorizers who would break that flow to go back to a line that was missed or just freeze.
- eszed 2y agoYes, exactly! What's really exciting is that you will have trained yourself to think your way through the material in the same way that Wilde - or Shakespeare, or Beckett, or whoever - did. It's mind-expanding, in the best possible way. When I was in a classical piece I'd usually come off stage speaking iambics or couplets for a while, without ever meaning to.