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One extremely sad example is the libraries of brass matrices for hot metal type --- all-too many of these were melted down, mostly to make shell casings by vari
by WillAdams 3y ago
One extremely sad example is the libraries of brass matrices for hot metal type --- all-too many of these were melted down, mostly to make shell casings by various accounts.
After the war, it was necessary to re-create said type libraries, mostly as phototype though, thus ending a golden age of printing which had reigned since Gutenberg, eventually, the Linotype and Monotype machines followed this into dissolution when digital type became prevalent.
While most designs were eventually remade as phototypes, and later as digital type, many of them were only imperfectly preserved, so for example, rather than all the different hot metal sizes and variations, only a single phototype master usually exists, capturing only the state of a single size (usually a larger display size).
- mistrial9 3y agoagree this is interesting and worthwhile.. notice however that the divergence of letter forms in Eastern Europe (into Central Asia) is really a reflection of the drastic cultural conflicts in that area over centuries.. from a distance, it seems that "modern" typeface, and the type it replaced, together really are not very old compared to the cultures that were using them... and those cultures merged by imperial forces from multiple directions.