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I find this argument to be fiction. The training data does not matter. Let’s say it all came from art that was sold for pennies. Or from another country where i
by jncfhnb 3y ago
I find this argument to be fiction. The training data does not matter. Let’s say it all came from art that was sold for pennies. Or from another country where it was legalized. Do you really think artists are going to feel differently if they’re in the same boat but confident that “their” art was not used without consent?
No.
The problem is the economic impact on artists.
- locopati 3y agoyou say "The problem is the economic impact on artists" like it's a bad thing that artists are concerned about their livelihood being taken by greedy corporations
- jncfhnb 3y agoI don’t feel I implied any such thing. I’m just saying the training data issue is a dumb hill to die on. Because it will get sorted out eventually and the “best case” is some loose change thrown at a current generation of artists. It is an ineffective argument if your goal is to help artists.