4 ms·
Your arguments veers close to the "for exposure" payment. People don't go to indie concerts because of a spotify track. Nor to big name concerts. And 20 cents
by tgv 3y ago
Your arguments veers close to the "for exposure" payment.
People don't go to indie concerts because of a spotify track. Nor to big name concerts. And 20 cents corresponds to around 50 to 100 plays according to the numbers mentioned here.
- helsinkiandrew 3y ago> And 20 cents corresponds to around 50 to 100 plays Unfortunately more like 5000+ plays. People tend go to concerts of music they listen to and for a lot of people that means hearing it on Spotify
- peapicker 3y agoActually, the spotify rate is 0.003 cents per track, which reflects my 83 plays ‘earning’ $0.25 on Spotify before this.
- epolanski 3y ago> People don't go to indie concerts because of a spotify track Do you have numbers behind this claim? I definitely got aware of some unknown artists thanks to Spotify and YouTube, some of them had low hundreds views/listens. Ended up supporting them, going to concerts and buying merch.
- nsteel 3y agoSame. I see a show advertised and I want to hear what the bands sound like, the easiest way (for me) is to search for them on Spotify and check out the top few tracks and the new release. If I like what I hear then I'll buy a ticket and go. I probably could have found the tracks other ways if I really tried, but this way just works, almost always.
- cal85 3y agoIt is extremely common and often perfectly rational for creatives to do things in exchange for exposure. There is nothing fallacious about this. > People don't go to indie concerts because of a spotify track. Yes they do.
- m000 3y agoIf there's any fallacy here, it is comparing "for exposure" between a gig at your local dive bar (this is where you typically hear the phrase), and uploading your material to Spotify. The first requires committing time and effort to get 50 people to see you, 20 of which are your personal friends. The second is making the music you have already produced available to millions of people around the world, with virtually no effort. Surely Spotify should improve on compensating artists, but all-in-all it is still a better deal for the artist than the "for exposure" gig at the local bar.
- jug 3y agoI'm not sure what your basis is for this claim? I've most certainly discovered artists from Spotify and later on bought e.g. merch to support them. I would in a heartbeat also go on their concerts if I was given the opportunity with travel distance, vacation plans etc. Spotify can't give you these experiences no matter how hard they try so this claim doesn't make much sense to me. A concert isn't exactly competing with streaming services or anything.
- subroutine 3y agoSame. Anecdotally I discovered khruangbin on spotify and will be seeing their concert next tuesday.
- cqqxo4zV46cp 3y agoYour absolutist claim is already false by virtue of the fact that I have gone to an “indie” show after hearing a track on Spotify. Next?
- coldtea 3y agoNext should be the advice to not take comments of that form as "absolutist" but understand them to mean as "in general"...
- herculity275 3y ago> People don't go to indie concerts because of a spotify track Anecdotically I've attended multiple gigs for artists I discovered via Spotify.
- antifa 3y agoIf Spotify's search page wasn't so broken and useless, I'd probably have gone to _more_ indie concerts.
- deleted 3y ago[deleted]
- coldtea 3y ago>Your arguments veers close to the "for exposure" payment While it does, note that paying or doing stuff free "for exposure" is exactly how many artists got big and huge hits were made, from payola to DJs (starting way earlier than Alan Freed with radio DJs, and going all the way to EDM DJs being paid to break a track), all the way to paying for artist ads or record shop placement, buying fake streams, followers, and views to appear more popular and drive exposure, or doing for free (or, often, paying for) the support spot on a bigger band's concert.