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These two articles in American Cinematographer (1 and 2) give some interesting background on the movie; concerning the ship they write: > When it first appears
by 0x38B 3y ago
These two articles in American Cinematographer (1 and 2) give some interesting background on the movie; concerning the ship they write:
> When it first appears onscreen, the Event Horizon craft itself resembles a giant crucifix hovering over the surface of Neptune. "The spaceship was built on a cruciform, like all cathedrals are," Anderson explains. "We began the design process by literally scanning [photos of] the Notre-Dame Cathedral into the computer and then constructing the Event Horizon out of those Gothic elements. For example, the big thruster engines are an adaptation of the Notre Dame towers, repositioned on their sides. A lot of the iron and steel work of the superstructure is based on the cathedral's stained-glass windows. The ship also has a lot of triptych windows and big recessed crosses.
> "When Adrian and I first sat down, we said, 'Let's do something completely different,"' says Anderson. "Since we were going into outer space, I felt we had to have a really strong design concept; otherwise Event Horizon would have ended up looking like [a bunch of] other movies cobbled together. We spent a lot of time coming up with a design concept, which we called 'techno-Medieval.' When the lights are on, everything looks very technological and very spaceship-like. But when the lights go off and the haunting begins, you start looking at the shapes, and the architecture is actually very medieval. We extended that techno-Medieval design idea into as many aspects of the picture's look as possible, without rubbing the audience's nose in it."
1: https://theasc.com/articles/unearthly-terrors-event-horizon https://theasc.com/articles/unearthly-terrors-event-horizon
2: https://theasc.com/articles/event-horizon-scare-tactics https://theasc.com/articles/event-horizon-scare-tactics
- strogonoff 3y ago“We began designing the spaceship by scanning the Notre-Dame Cathedral” is an example of exactly the right kind of non-spoiler spoiler, one that doesn’t ruin the film but only makes me interested in watching it.
- voltaireodactyl 3y agoThank you for these excellent links, the added context to that design process is deeply satisfying.
- entrox 3y agoIt‘s fun to imagine that Event Horizon is actually in the same universe as Warhammer 40k. Not only does the plot fit perfectly with the ship going through the warp, the Gothic design matches the aesthetic as well. Even if not intended, it just works so well.
- throwaway17_17 3y agoTL;DR — I agree wholeheartedly and thanks for the chance to blather about a fictional universe I really enjoy, also a huge wall of text about Event Horizon as a ‘prequel’ showing an interesting division within the 40K fandom. I agree so hard that I would upvote your comment a thousand times if I could. This fan originated ‘prequel’ to the 40k universe is absolutely perfect in both aesthetic and tone. But I think, despite the wide support this concept has, it displays a really interesting view into some large tonal changes in the fandom and published materials and attitudes. Within the 40k fandom I think there are a group of fans (mostly older now and less involved in the hobby) that disagree with Event Horizon as a ‘prequel’. It is an interesting dichotomy between what 40k has been since the late 90’s and what it was at its start and during its early editions. Early fans, in the discourse I have seen online and in older GW periodicals, really focused on the political satire and the somewhat eclectic humorous undertones (and often overtones). The tongue-in-cheek demonization of the human faction, via making them so crazily over-the-top authoritarian, WWII-type theocratic fascists, is clearly pitched as a caricature of the then super powerful right wing party, under Thatcher and her ilk. The other factions had less direct satirical targets, but, as an example, the Orcs power of ‘be stupid but believe and results will follow’ can be seen as a critique of the apparent lack of intellectual curiosity and focus on conformity present in the UK, or as a statement on the semi-‘Cargo Cult’ mentality around the rising hyper-consumerism that was beginning to be pushed on the public by plutocrats. There are plenty of other broad and specific satirical or openly political commentary throughout the 80’s material, especially in White Dwarf supplemental writing. However, then there are the fans that came into the hobby in the late-middle and late 90’s and up til present day. 40k has been a cornerstone, forerunner, and standard bearer for Grimdark(tm) for nearly the last 30 years. This block of fans (by far those most active in the hobby, particularly the lore/fluff/art creation and discussion) absolutely sees Event Horizon as being a perfect fit for 40K. The days of satire are long past, now the factions and characters in the setting are nearly played straight as examples of their respective stereotypes and associated tropes in genre fiction. Granted, 40k established a good portion of the grimdark tropes, but it has remained steadfast in utilizing and somewhat revising those trappings of the genre without apology. Where 80’s 40K would have by now been lampshading everything in the setting and potentially altering fluff to better satirize the current global political and societal milieu, the current fandom and GW itself are committing to playing the universe out. I love 40K and think both perspectives have merit, but at the end of the day 40K is still my vibe no matter which side of this divide I may find myself.