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I'm wondering about the assumption that flags were "flown by many people almost all the time". I believe the madder root can dye fabrics orange too [0,1,2]—I d
by perihelions 3y ago
I'm wondering about the assumption that flags were "flown by many people almost all the time".
I believe the madder root can dye fabrics orange too [0,1,2]—I don't know anything about the chemical process, or whether this is what old orange flags (like the Dutch) actually used. But it does look like a more muted color; the deeper red/crimson is what you get from using more (?) of this dyestuff, and is more saturated and vibrant. Maybe your thesis is basically right: though many fabric colors were available, people gravitated towards the ones that produced the most vibrant, striking hues—i.e. favoring red over orange. At least for ostentatious purposes like state flags.
[0] https://en.wikipedia.org/wiki/Rubia#/media/File:Naturally_dyed_skeins.jpg https://en.wikipedia.org/wiki/Rubia#/media/File:Naturally_dy... ("Skeins of yarn colored with dye from madder root, Rubia tinctorum")
[1] https://localcolordyes.com/2013/11/29/madder-the-inexhaustible-root-part-one-orange/ https://localcolordyes.com/2013/11/29/madder-the-inexhaustib... ("Madder the Inexhaustible Root–Part One: Orange")
[2] https://localcolordyes.com/2014/01/04/madder-the-inexhaustible-subject-matter/ https://localcolordyes.com/2014/01/04/madder-the-inexhaustib... ("Madder the Inexhaustible Subject Matter")
- 082349872349872 3y agoI agree that many colours were available, but I don't think it was gravitating to vibrant, striking, hues so much as gravitating to lightfast hues. I've spent a lot of the past decade at or over 1'500m in a relatively sunny area, and even with modern colours, anything that's outside for several years tends to wind up looking like someone selected a single channel in Photoshop: faded to either red/white or blue/white.