ENG cameras had sensors a fraction of the size of Red/5D [1] so the resultant crop factor and CCD sensors paired with not-great glass choices (mostly zoom lense

ENG cameras had sensors a fraction of the size of Red/5D [1] so the resultant crop factor and CCD sensors paired with not-great glass choices (mostly zoom lenses, fixed focal length rare, etc.) made nice DoF/Bokeh hard to come by, making the output of them not really look like what a lay person would say "cinema" looks like. If you want to talk real Cinema-DV options from around that time (and ignoring punk cinema stuff like Dogme 95/Harmony Korine), you're mostly talking about the Viper, which again is a six-figure camera. > The impact was muted because people didn’t really care about 4K as much in 2007. This is just not true. Look at the Wikipedia post here [2] and then also just look for movies shot on the One/MX/Epic. The camera was immediately adapted into hollywood feature productions. [1] https://therobbcollections.blogspot.com/2019/09/digital-camera-sensor-physical-size-how.html https://therobbcollections.blogspot.com/2019/09/digital-came... [2] https://en.wikipedia.org/wiki/Red_Digital_Cinema#Red_One https://en.wikipedia.org/wiki/Red_Digital_Cinema#Red_One