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Something that industry hasn't seemed to have noticed is that Nikon has recently released a couple of camera bodies that are very capable hybrid shooters. The N
by jiggawatts 3y ago
Something that industry hasn't seemed to have noticed is that Nikon has recently released a couple of camera bodies that are very capable hybrid shooters. The Nikon Z9 and Z8 cameras can record up to 8.3K 60fps RAW video in-body[1], and the shutter speed is fast enough to be very nearly "global shutter". They also inherit features common to stills cameras but rare in video cameras such as eye-detect auto focus.
Some samples I've found online:
https://www.youtube.com/watch?v=bR5BV1L7tCg https://www.youtube.com/watch?v=bR5BV1L7tCg
https://www.youtube.com/watch?v=cFkgs0GsbpA https://www.youtube.com/watch?v=cFkgs0GsbpA
https://www.youtube.com/watch?v=J3cAwDwvK-M https://www.youtube.com/watch?v=J3cAwDwvK-M
Notably, these videos were made by essentially amateurs. Even if the shooters are industry pros, they're still taking these shots on their own without a film crew and a professional setup. Just running around with a "normal" camera you can carry in one hand.
I wonder if this is going to be a dead end now that Nikon has acquired RED. I have a sinking feeling that the product lines will be split again, and that the stills bodies will not get any new video features, which will be relegated to dedicated video cameras.
[1] Something I've heard is that perceived video quality is more strongly correlated to the data rate than pixel resolution. These cameras can record at about 6,000 Mbps which is in the same league a "large format" and IMAX style cine cameras.
- lvl102 3y agoSony’s “affordable” global shutter A9 III likely changed the competitive landscape. For photography Z9’s stacked sensor is superb but videography is a different story.
- jiggawatts 3y agoI don’t see how. That sensor is only 6K and the global shutter makes no practical difference compared to Nikons “very fast” shutter. The Sony camera can only record up to 4K in-body, and only with h.265 or similar formats up to 10 bit. The Nikon can record full-frame RAW with 12-bit log, which is far more useful for colorists to work with than anything the Sony can record. Even the Nikon DX crop mode has more pixels and more HDR range than the Sony!