Yeah... as someone in VFX who deals with plate footage from major films, in the past five years RED doesn't seem to be used that much these days: it's mostly AR

Yeah... as someone in VFX who deals with plate footage from major films, in the past five years RED doesn't seem to be used that much these days: it's mostly ARRI/Sony... I think I've even seen more footage from Panavision (which often do have RED sensors) than RED cameras...