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I think there is definitely a "Netflix look" and feel to their content, and this is backed up by industry pros. https://www.reddit.com/r/cinematography/comment

I think there is definitely a "Netflix look" and feel to their content, and this is backed up by industry pros. https://www.reddit.com/r/cinematography/comments/16precd/whats_the_real_reason_netflix_shows_all_look_the/ https://www.reddit.com/r/cinematography/comments/16precd/wha... Apple+ definitely gives me a feeling of, well-polished, minimal, adult but in a cerebral, not somatic, way. Which is why I don't think they're a great fit for the very chaotic, 80s maximalism that is the Sprawl series.

ethbr1 3y ago
The key point from that thread is probably about set dressing: >> Unlike other traditional studios, Netflix does not store/warehouse set pieces. It all gets fire-sold at wrap. So at say, Paramount, a set designer can use elements from the last 25 years stored away with Paramount. Producers can pull elements from storage and slide chunks of the budget towards casting or other high production value. It certainly seemed like For All Mankind warehoused a significant chunk of set elements, but I assume it was no-question greenlit into subsequent seasons.