> Snow Crash is satire of more "serious" cyberpunk Agree 100%. If anyone has trouble seeing that <i>Snow Crash</i> is satire, I recommend reading <i>Headcrash<

> Snow Crash is satire of more "serious" cyberpunk Agree 100%. If anyone has trouble seeing that <i>Snow Crash</i> is satire, I recommend reading <i>Headcrash</i>, by Bruce Bethke, then going back to <i>Snow Crash</i>. If <i>Snow Crash</i> is the original <i>Robocop<i> (a satire that was deadpan enough that many people missed the satire entirely), then <i>Headcrash</i> is Paul Verhoeven's <i>Starship Troopers</i> (completely over-the-top). > like Gibson. It's easy to assume Gibson's work is serious, but I think anyone that does is subconsciously glossing over a lot of little details that - in sum - make it pretty clear that Gibson is also a satirist, just extraordinarily deadpan and casual about it. Almost everyone gets a gritty <i>Blade Runner</i> image in their mind when reading his Sprawl stories, but consider that a key plot element is a space station built by weed-smoking Rastafarians. i.e. they are "so high they're in orbit", and that there are offhand references to an "Aryan reggae band". The military veteran - abandoned by an uncaring government - that happens to be a dolphin. Then consider that the film and TV projects directly involving Gibson have typically featured plenty of comedic elements, and most have a bright, colourful look. <i>Johnny Mnemonic</i> (the film). The "First Person Shooter" and "Kill Switch" episodes of <i>The X-Files</i>.