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You and I did the same back-of-the-napkin math and arrived at slightly different numbers; I used a 5 minute average song duration and $0.003 average payout. See
by drewdevault 3y ago
You and I did the same back-of-the-napkin math and arrived at slightly different numbers; I used a 5 minute average song duration and $0.003 average payout. See my other comments for elaboration on why the Bandcamp model is ultimately better for the artist.
I don't deny that Spotify has improved the situation for many artists, but rather that it hasn't done enough and other approaches do it better, and I believe this is factually true.
- jstummbillig 3y agoYes, Bandcamp leaves a bigger percentage to the musician - from nothing/less. For a variety of reasons, Bandcamp is not actually being used and thus not doing for artists what Spotify has. You can start a personal crusade to combat that, but as long as you do not actually make it work (and I think there is good reasons rooted in what Spotify does well over Bandcamp and the service the former provides that the later won't), this is what is actually factually true. Let's just skip the part, where we imply it's somehow okay to circumvent fair use, because nobody is making money off of streaming anyway or any such nonsense. Streaming as intended is fine for now. People can just use Spotify, or any of the alternatives, as they are intended and that's fine and on the whole better than anything we had before.
- drewdevault 3y agoI didn't actually make that argument, though. I said that a user who circumvents ads on Spotify and buys albums from Bandcamp is more profitable for the artist than someone who just listens to Spotify ads, and I believe that this is factually true. A quick review of Google will turn up endless testimonies from artists who make more money from Bandcamp, usually by an order of magnitude or more. Spotify may be better than anything we had before (I don't believe this is true, but assume it for the moment), it is not better than anything that came after. For the record, I am steelmanning a position in which abject piracy is a social negative, which I do not actually believe, but if we take that at face value my arguments still hold.
- blowski 3y ago1. If you _really_ like an album, buy it on Bandcamp, because it gives more money to the artist. 2. If you just listen to the occasional song, listen to them on Spotify. Artist gets _some_ money, but nowhere near as much as #1. 3. If you don't care about the artist getting anything at all, then use workarounds like this tool, or download on torrents. Most people used to do #3, and are now doing #2. #1 is just not going to happen, because there's too much friction.
- rglullis 3y ago0. If you really want to support an artist, just ask what is the best way to just send them some hard cash every month? Patreon, ko-fi... even straight wire transfer (isn't FedNow already working?). Why do we keep insisting on having middlemen?
- hhh 3y agoI don't believe most people care about a lot of the artists they listen to enough to seek them out and send money this way. Not that I believe it's good or bad either way, it's just cumbersome. People want easy solutions. A few of my long distance friends are artists, and it makes them happy to see that I have bought their new cassette or vinyl on Bandcamp above the regular price, and send nice notes with it. I can do this for more people more easily thru Bandcamp than figuring it all out myself.
- rglullis 3y ago> most people (don't) care about a lot of the artists they listen Fair enough. Then don't pay anything? > it makes them happy to see that I have bought their new cassette or vinyl On the other hand, I do not want to buy merch, I don't care about physical media and I flat out refuse to buy something with DRM and/or through exploitative middlemen.