Yeah, a long time to get it right. But I also remember the sequencers of the 1990s, which gave you a really primitive score view, and it’s still useful. I would

Yeah, a long time to get it right. But I also remember the sequencers of the 1990s, which gave you a really primitive score view, and it’s still useful. I would put up with something primitive in a composition tool, because I’m going to export it to a dedicated score editor if I want a score. You can get pretty far with just a couple features. Like, a setting for how much tolerance you want (no 32nd notes here), an option to split voice by MIDI channel or something, and a button to switch between enharmonics. I don’t think a score view is critical, it’s just one of many missing features here and for some reason a lot of people are focusing on it.