Given that you admittedly don't have that level of experience, who are you exactly to decide that again? You haven't even justified that position, you simply st

Given that you admittedly don't have that level of experience, who are you exactly to decide that again? You haven't even justified that position, you simply state it as fact. If anything, I've found your comments to mostly be "irrelevant". Working in reduced resolution and color constraints is actually something rather challenging. Lesser artists are going to particularly suffer because they won't have experience to fall back on when they need to find workarounds, especially if their color theory is weak. You aren't going to hit Ferrari's level unless you've already got a solid foundation in place. That's easily five years to be competent at, then you can learn to work within those limitations. I personally oversee a number of artists around five years in and I wish could get that quality of work out of them consistently. Why I suggested you see his other work is because I don't think you're actually qualified to assess just how difficult the work is and you should see whose work you're dismissing as amatuer/entry level.