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Yes, those are great too. It’s an amazing instrument and he’s a great player. Scott Ross was also a genius if you’re unfamiliar (you have to like Scarlatti tho
by eigenvalue 3y ago
Yes, those are great too. It’s an amazing instrument and he’s a great player.
Scott Ross was also a genius if you’re unfamiliar (you have to like Scarlatti though, which apparently isn’t universal!)
- nescioquid 3y agoWhen you say a performing musician is a genius, it is a little mystifying since, as Bach wrote, "there's nothing to it -- just press the right key at the right time". All of my teachers felt that the true skill of musicianship consists in identifying problems and devising solutions -- and a genius is just much better at doing these two things. I once watched a video of Ross giving a lesson where he just had the student change a fingering and I got shivers at the result (was also impressed with that student, too). Scott Ross + Scarlatti's Cat's Fugue: https://youtu.be/kGJivsqbrz8 https://youtu.be/kGJivsqbrz8 Who could not like it? I just read the wiki article (https://en.wikipedia.org/wiki/Cat_fugue https://en.wikipedia.org/wiki/Cat_fugue) and didn't realize Scarlatti really claimed the theme came from an "improvisation" of his cat.
- eigenvalue 3y agoIt's the "right time" that's the rub! Ross was a true master of the micro articulations, the microsecond precise speedup or delay in between the notes that adds something magical to the music. It's funny, when you listen to a Scarlatti sonata in midi form that has been prepared through software sequencing and is metronomically precisely "correct," it sounds utterly dull, flat, and boring. The quick attack of the harpsichord and its lack of dynamics makes this the only way to add the emotion and excitement to the music that gives it a special feeling. I'm sure I'm not telling you anything you don't know, just thought others might find it interesting.