As a copyright abolitionist I think 10 years is an alright compromise if alternative funding models really don't work out. Long enough to be painful enough to

As a copyright abolitionist I think 10 years is an alright compromise if alternative funding models really don't work out. Long enough to be painful enough to spend money, short enough that you can build upon the previous decade's work. If you have a childhood show, once you become a young adult, you can build on it legally. Simple to calculate too!