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> I think it is an important and insightful distinction, if you are curious to engage. Can you clarify which thing is important/insightful? I want to make sure
by haswell 3y ago
> I think it is an important and insightful distinction, if you are curious to engage.
Can you clarify which thing is important/insightful? I want to make sure I’m understanding your comment.
I should also clarify that I do think AI is a tool. And I do think that the questions raised about other tools are interesting to ask relative to AI.
My main issue is with the “just a” framing, which usually comes with a strong implication that this tool status means AI should be treated no differently than a paintbrush.
> Another interesting question is what commercial use of midjourney looks like if you cant trust it to produce content unencumbered by copyright?
This is one of the key things that establishes a new category of concerns that is not present in other common tools. e.g. if I use a paintbrush to make counterfeit artwork, it is clear that the act of creating the specific output was deliberate (it would be hard to argue that I didn’t know what I was doing over 40 hours of detailed painting). I can’t be sure what will or won’t come of a generative image model.
- s1artibartfast 3y ago>Can you clarify which thing is important/insightful? I want to make sure I’m understanding your comment. I pointed out several thoughts it led me to in the post. Another is the tool framing Delinates infringement occurring during the manufacture of the tool, and the use of the tool. It also leads to other interesting points like your last one about the paintbrush. I have never heard of intent being used as a criteria of counterfeit. I don't think this is a new class however. I can use Google images and a printer to quickly produce infringing material. What conclusions can be drawn from viewing generative art models through this lens