On security theatre: > However, security theatre has positive aspects too, provided that it is not used as a substitute for actions that would actually improve

On security theatre: > However, security theatre has positive aspects too, provided that it is not used as a substitute for actions that would actually improve security. In the context of the election of the Doge, the complexity of the protocol had the effect that all the oligarchs took part in a long, involved ritual in which they demonstrated individually and collectively to each other that they took seriously their responsibility to try to elect a Doge who would act for the good of Venice, and also that they would submit to the rule of the Doge after he was elected. This demonstration was particularly important given the disastrous consequences in other Mediaeval Italian city states of unsuitable rulers or civil strife between different aristocratic factions. > It would have served, too, as commercial brand-building for Venice, reassuring the oligarchs’ customers and trading partners that the city was likely to remain stable and business-friendly. After the election, the security theatre continued for several days of elaborate processions and parties. There is also some evidence of security theatre outside the election period. A 16th century engraving by Mateo Pagan depicting the lavish parade which took place in Venice each year on Palm Sunday shows the balotino in the parade, in a prominent position—next to the Grand Chancellor—and dressed in what appears to be a special costume. Highlighted by Schneier: * https://www.schneier.com/blog/archives/2023/12/security-analysis-of-a-thirteenth-century-venetian-election-protocol.html https://www.schneier.com/blog/archives/2023/12/security-anal...