Repitching a file and tuning a whole orchestra to 432Hz are qualitatively different, claiming they are equivalent blurs a lot about sample rate and technologica

Repitching a file and tuning a whole orchestra to 432Hz are qualitatively different, claiming they are equivalent blurs a lot about sample rate and technological limitations in signal processing and signal recreation. Instruments tuned together resonate together, and the Schumann resonance is a fundamental resonance of earth, if you are multiples of that, you are going to resonate better. I think the convention that 440=432 is wrong, dangerous, and unscientific, and the claim that I can't say it with a straight face is weird because there is a paucity of research on how the different tunings affect us and the study of cymatics would suggest harmonious frequencies that live parallel to and not-on the 440Hz interval.