That show butchered the original stories, though. And for some reason they picked some Dick's earliest and least interesting 1950s pulp-era stories, rather than

That show butchered the original stories, though. And for some reason they picked some Dick's earliest and least interesting 1950s pulp-era stories, rather than the later, more mature. Autofac is the only classic that stands out, and the adaptation is both atrocious and unfaithful to the story. Why not "We Can Remember It for You Wholesale", "A Little Something For Us Tempunauts", "Second Variety", "Impostor", "Faith of Our Fathers", "I Hope I Shall Arrive Soon", "Colony" or "Foster, You're Dead"? I wonder if it's because someone owns the rights? Some of these have already been adapted, though never faithfully. In fact, a faithful adaptation of a PKD story or novel has never been made. Which is odd, for two reasons. One, PKD wrote quite filmable stories, with excellent dialogue and well-paced plots that should not pose a problem for anyone trying to adapt them to screen. And secondly, why would you change anything? You adapt PKD because of the idea and how brilliantly it unfolds to its conclusion; if you replace that with your own spin, it's no longer PKD. Blade Runner very much lacks the feel of a PKD story, for example (no absurdist humour, no existential angst, no color; everything is just drab and dreary, which is a property that plagued some of his mainstream writings but very few of his SF works; if BR feels like anything it's Flow My Tears the Policeman Said, which is a sad and bleak book).