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I love the Digitone as well. it's 4 part multimbral and the 8 voice are shared across all 4 parts. people tend to think of the Digitone as a FM synth, (and the
by weatherlight 3y ago
I love the Digitone as well. it's 4 part multimbral and the 8 voice are shared across all 4 parts.
people tend to think of the Digitone as a FM synth, (and they wouldn't be wrong) its architecture is very much like a subtractive synth but in a normal east coast subtractive synth the architecture kinda looks like this:
VCO -> VFC -> VCA
Digitone:
4 operators FM engine -> VFC -> VCA (then ADSRs for the filter and the amp).
the other think thats kinda interesting about the FM section of the Digitone, is it uses a form of additive synthesis to create the harmonic series for the HARM parameter. Additive synthesis is one of the oldest forms of electronic sound generation. this allows you, like the TX81z to have operators that aren't sine waves.
So in a lot of respects the Digitone is more versatile that your standard 6op sinewave FM synth.
- glimshe 3y ago8 voices is so little... Older FM synths could do a lot more, even if they didn't have the VCFs/VCAs. Older sound modules tended to be full-song workhorses, while the Digitone has more of a tracker philosophy. That's ok, but they could at least have done 16 voices so we can have nice chord pads with bass, melody and drums. The Yamaha MODX has 64-voice FM polyphony, but of course not a compact module (but it could be, probably, but there is no market for it).
- JodieBenitez 3y agoI do nice chords pads with bass, melody and drums on the Digitone... just use those sound locks :-)
- weatherlight 3y agoYeah, it’s 8 sounds at a time, so the different channels voice steal. It turns out not to be a big drawback.