The re-release felt more like a "screw you" to the record label that didn't want to negotiate, than a money grab. (But who knows what she really thought) I rea

The re-release felt more like a "screw you" to the record label that didn't want to negotiate, than a money grab. (But who knows what she really thought) I really hope that TicketMaster and others annoy her as well - she's got the power to both work around them and is important enough to play at the arenas they have exclusive rights to. If there's any path to TicketMaster breaking down, apart from anti-monopoly regulation, it's someone like Swift getting pissed off.