> In order to combat piracy, you need to out innovate them in terms of convenience and features. To be entirely fair, I think we ahvae reached a parody with Ho

> In order to combat piracy, you need to out innovate them in terms of convenience and features. To be entirely fair, I think we ahvae reached a parody with Hollywood and Streaming services in terms of content: sure, some comic book movies requires 500 million to make and require studios to pump things up and a bloated marketing tour, but A26 is a perfect example of something being made for low budget, word to mouth and often quickly on streaming services that rivals most stuff in the theaters. After this year, I've been to the movies more times since I was a teenager, I really don't feel like I missed much during that time: I'm still incredibly out of touch with what comes out and other than Oppenheimer I don't think I watched anything that had much of a budget. As for piracy, it'll never go away, some of us just refuse to comply with these norms and find ways around geo-restrictions and IP bans half the fun, hence why these communities still thrive before Netflix started to self-canobolize itself. PS: Last season of Black Mirror made me regret being in the loop, after COVID there was so much more to work with than it's entire existence, but this was perhaps the sign that Charlie Brooker needs to reach for fan-art scripts and should help get them green-lit.