Sounds like you are tunnel visioning in your analysis of the music? There are so many more things to it than the chord progression. On the songwriting side, th

Sounds like you are tunnel visioning in your analysis of the music? There are so many more things to it than the chord progression. On the songwriting side, there's the lyrics which have both a phonetic and a semantic component. There's also the fact that many people will mishear the lyrics and their evaluation of them will be based on the mishearing. There's the melody. Does it work together with the chords to highlight the key parts of the lyrics? Then there's the performance where there are a million ways to stand out or flop. Loudness, timbre, timing and even detuning can all be used for expression.