Except it’s not really, the traditional ASCAP/BMI royalty structure and reporting gives extremely heavy favor to the most popular music and everyone else gets b

Except it’s not really, the traditional ASCAP/BMI royalty structure and reporting gives extremely heavy favor to the most popular music and everyone else gets basically nothing, while their royalty schedules for streaming amount to basically nothing. If anything, musicians need to follow WGA and SAG-AFTRA and DGA’s lead and get proper streaming royalty schedules, anti-AI-training clauses, etc. into their standard contract structures.