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There's also a follow-up. https://billwillingham.substack.com/p/more-about-fables-in-the-public-domain https://billwillingham.substack.com/p/more-about-fables-
by orlandohill 3y ago
There's also a follow-up.
https://billwillingham.substack.com/p/more-about-fables-in-the-public-domain https://billwillingham.substack.com/p/more-about-fables-in-t...
Hearing how DC treats comics creators makes me want to boycott their future publications. Thankfully, there are publishers like Image that operate more fairly.
- araes 3y agoDC has released a statement that Fables is NOT in the public domain. > The Fables comic books and graphic novels published by DC, and the storylines, characters, and elements therein, are owned by DC and protected under the copyright laws of the United States and throughout the world in accordance with applicable law and are not in the public domain. DC reserves all rights and will take such action as DC deems necessary or appropriate to protect its intellectual property rights. From: https://twitter.com/zachrabiroff/status/1702433264458248218 https://twitter.com/zachrabiroff/status/1702433264458248218 "Three subsequent copyright filings list the copyright holder as Willingham, with DC's copyright transferred by written agreement." Bill Willingham is listed as: "Authorship: text" DC Comics, employer for hire is listed as: "Authorship: artwork" DC Comics is also listed as contact for: "Rights and Permissions" From: https://law.stackexchange.com/questions/9035/ownership-of-work-copyright-by-multiple-authors https://law.stackexchange.com/questions/9035/ownership-of-wo... > Definition: To qualify as a joint work, each author's individual contribution must be inseparable or interdependent, and the authors must intend to be joint authors (17 U.S.C. s 101, Childress v. Taylor, Erickson v. Trinity Theatre, Inc.). > Rights of use: Joint authors can independently exploit and license a work without consent of other co-authors, but have a duty to account profits to co-authors (House Report No. 94-1476 (1976), Goodman v. Lee, Community for Creative Non-Violence v. Reid, etc.).
- kmeisthax 3y ago>But here’s the thing: No one will ever know how valuable the asset is that they threw away. Yes, they sell lots of Watchman, but how many sales did they lose from those who would have bought the book, but didn’t, out of respect for Moore? There’s no way to know, and because there’s no way to know, the loss can never show up in their balance books. How many new and wonderful projects might Alan Moore have done with DC, had they been able to keep him happy (and in this case the way to keep him happy was easy and known: simply be fair in their dealings from now on. Quit trying to cheat him)? There’s no way to know how much DC lost over the years due to something that didn’t happen. Well we could go by antipiracy logic and take everyone who has ever bought an Alan Moore book post-DC and multiply it by what DC was charging for books. If it works for publishers it works for authors, right? /s
- thrdbndndn 3y ago> Bill: Yes. Probably. DC has to continue paying me royalties on the books they’ve published and keep in publication, so, as long as I work hard to keep them honest each quarter, I still have some potential income from Fables. How does it work, legally speaking? I meant that now Fables is in public domain, would DC still need to pay royalties to him? I understand that they had/have a contract, but not sure if the contract is tied to copyright implicitly or explicitly.
- TylerE 3y agoI think what's happened is he's placed the characters/concept/design etc into the public domain, but NOT his copywritten work product. IP vs Concrete Creation using that IP
- crooked-v 3y agoNo, it's the whole thing. Under his contract he retained ownership of all the material, and presumably nothing about his contract actually bars him from releasing it as public domain.
- WorldMaker 3y agoHis FAQ in the follow up post makes it clear he believes that he's released to the public domain every part of it that he owns. That would include all of his writing over the years. There's certainly a lot of gray area left on the artwork, especially. DC probably owns most of it? It might take a lot of work to track down the original artists and find their thoughts on all this. At face value based on what Willingham seems to believe, you could probably remix the early comics, use the dialog word for word, maybe even panel for panel. But you'd probably need to use entirely new artwork and be very careful that the artwork is entirely new with fresh concepts. But there's a fun twist there given how much of Fables is itself based on older public domain works and arguments that many of the core concepts of the characters have always been public domain and even very close artwork may be entitled to some interesting fair use judgments. (I'm not a lawyer of course, and neither is Willingham. If I had one suggestion for Willingham it might be to talk to Creative Commons lawyers and get something like the CC0 involved, including legally binding descriptions of the parts of the series that Willingham now thinks are dedicated to the public domain.)
- autoexec 3y agoImage has a ton great titles too. I never gave much thought to them until one day I realized how much space they take up on my shelves. Saga alone takes up a ton of that space, but other series I've enjoyed include The Wicked + The Divine, Monstress, Paper Girls, Skyward, and Injection (although I think that one has been canceled after the author was)
- solardev 3y agoAs someone unfamiliar with graphic novels, can you recommend some good ones that have more "adult" themes? I don't mean porn, but like storylines that are more interesting than bam bam pow pow. Maybe more like a typical novel than a comic aimed at younger readers, if that makes sense?
- TylerE 3y agoTransmetropolitan. Basically cross Hunter S Thompson and Futurama. The blackest of black comedies. Likely to be a love/hate kind of thing... but it's one of the books that opened my eyes to what a non-superhero comic could be.
- fsloth 3y ago‘Fables’ is excellent :D Others my favourites: Alan Moore, ‘V for Vendetta’ Alan Moore, ‘League of extraordinary gentlemen’ Alan Moore, ‘Watchmen’ Neil Gaiman, ‘Sandman’(series, but packed into albums) Frank Miller, ‘Give me liberty’ Mike Mignola, ‘Hellboy’ (series) Masamune Shirow, ‘Ghost in the shell’ Yukito Kishiro, ‘Battle angel Alita’ (series)
- at_a_remove 3y agoReading this, and hindsight being what it is, it seems like the contracts didn't have penalty clauses for non-compliance. It's horrible to say this when you're theoretically dealing with adults, but it is as if everything needs a big stick or stungun attached to it, and a lot of NO, BAD MONKEY penalties for every "crack" they fell through. That would be hard to build a contract around.
- karaterobot 3y agoIt's a lesson people have to learn periodically, I suppose. As noted in that FAQ, both Frank Miller and Alan Moore already went through this with them, publicly and loudly. I like his point about not knowing what was lost by poisoning those relationships. They robbed themselves of the fruits of two of the best writer/artists in comics history, at the peak of their creative ability, and robbed us of seeing what they'd have done if they'd stayed. (Frank Miller at least did more work for DC later, but sadly not at his peak)
- a_bonobo 3y ago>They just claimed this is how it had to be done. My previous employer (not even the employer, some HR person) tried to steal my outstanding leave payment with exactly the same sentence; this sentence is now a huge red flag for me. It comes from a position of arrogant laziness, a more accurate translation would be 'this is how I want it to be done because i can't be bothered finding out how it's actually done', which is then reflected in the rest of OP's post: they didn't even read the contract. I did end up getting my outstanding leave payment, too, but it took some threatening.