4 ms·
Back in the 1990s I was at film school at the point they were transitioning from Amigas / Toasters to an Avid suite, so I bought an Amiga 4000 with Video Toaste
by drcongo 3y ago
Back in the 1990s I was at film school at the point they were transitioning from Amigas / Toasters to an Avid suite, so I bought an Amiga 4000 with Video Toaster off them on the slightly-cheap. I got fairly proficient in Lightwave but all I ever used it for was making short 16mm film loops for projecting on huge screens at raves from a bank of Elf projectors nailed to a plank.
Edit: Tangentially related, it's well worth seeking out the film Tim's Vermeer about NewTek founder Tim Jenison trying to recreate Vermeer's style. It's fantastic.
- micv 3y agoIf you still have that A4000 it's worth real money now to the retro crowd.
- pavlov 3y agoHow did you make the 16mm film prints? Video to film negative transfer wasn’t cheap, AFAIK. I could imagine just pointing a 16mm camera at the Amiga screen as the most basic transfer option :)
- drcongo 3y agoThat's exactly what I did! We had a couple of Bolex cameras and a beautiful, mouse-ears Arriflex - point any of them at a monitor in a dark room and the quality was good enough for visuals in a warehouse that's also lit up by strobes / lasers / flashing lights etc. We were lucky enough to have a Rank film lab nearby who would give us out of date stock, and occasionally stock that was out of date and used but undeveloped - so every now and then we had loops of double exposures of the Amiga screen and some random home movies.
- lizknope 3y agoI watched Tim's Vermeer about 8 years ago and really enjoyed it. As an engineer, photographer, and someone who enjoys art museums I always find the intersection between the two interesting. Whether it is new paint or printing techniques, lenses, etc.