Trying to distil that into something coherent - the central argument would be that Waters' show, which employs fascist iconography in pursuit of an antifascist

Trying to distil that into something coherent - the central argument would be that Waters' show, which employs fascist iconography in pursuit of an antifascist message, is a bit near the knuckle in Berlin due to the city's history? I mean, I guess I can see that but would point out it didn't seem to be an issue when he did a high profile, all-star rendition of the same piece in Berlin in 1990[0], and also he rejigged the show for recent Frankfurt gig, AIUI because he came to sympathize with the point in the paragraph above. [0] https://en.wikipedia.org/wiki/The_Wall_%E2%80%93_Live_in_Berlin https://en.wikipedia.org/wiki/The_Wall_%E2%80%93_Live_in_Ber...