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International IP laws come from the time of Dickens, when people were copying his books in the states because he couldn't enforce ownership from over here. Ame

International IP laws come from the time of Dickens, when people were copying his books in the states because he couldn't enforce ownership from over here. America didn't really play ball until the situation started affecting their own economy (Americans being copied by people in other countries, or other Americans, enough to affect the national bottom line). China is in a similar state: international IP isn't enforced, and the government just pays lip service to the idea, while it is a net benefit for their country's economy for copying to be rife. This will flip when the issue becomes a net detriment to their bottom line. The same game has been played any number of times at smaller scales too, though in the smaller cases the big boys tend to force the “being a net detriment” with sanctions and other indirect influences (or simply by buying out the smaller concerns).

cjs_ac 3y ago
> International IP laws come from the time of Dickens, when people were copying his books in the states because he couldn't enforce ownership from over here. Copyright is a different game to trademarks. Copyright has its origins in the Statute of Anne (also known as the Copyright Act 1710), and was designed specifically to protect the investment of publishers and printers in royalties to authors: copyright protects neither producers nor consumers, but rather distributors, whereas trademarks protect consumers. The idea of extraterritorial and multi-jurisdictional copyright is, as you say, a more recent innovation; the American film industry is based in Hollywood because California refused to enforce Edison's claim on all films made with his cameras. > The same game has been played any number of times at smaller scales too, though in the smaller cases the big boys tend to force the “being a net detriment” with sanctions and other indirect influences (or simply by buying out the smaller concerns). All of international politics works like this. Western politicians and diplomats are naturally supportive of the 'rules-based order' we keep hearing about: we wrote the rules in our favour after the Second World War.

cjs_ac 3y ago

> International IP laws come from the time of Dickens, when people were copying his books in the states because he couldn't enforce ownership from over here. Copyright is a different game to trademarks. Copyright has its origins in the Statute of Anne (also known as the Copyright Act 1710), and was designed specifically to protect the investment of publishers and printers in royalties to authors: copyright protects neither producers nor consumers, but rather distributors, whereas trademarks protect consumers. The idea of extraterritorial and multi-jurisdictional copyright is, as you say, a more recent innovation; the American film industry is based in Hollywood because California refused to enforce Edison's claim on all films made with his cameras. > The same game has been played any number of times at smaller scales too, though in the smaller cases the big boys tend to force the “being a net detriment” with sanctions and other indirect influences (or simply by buying out the smaller concerns). All of international politics works like this. Western politicians and diplomats are naturally supportive of the 'rules-based order' we keep hearing about: we wrote the rules in our favour after the Second World War.