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> Maybe the media companies will eventually pull their heads out of their collective arses and quit their cartel, allowing the existence of legal, paid streamin
by AdamH12113 3y ago
> Maybe the media companies will eventually pull their heads out of their collective arses and quit their cartel, allowing the existence of legal, paid streaming sites a-la-Spotify with access to 99% of the repertoire. Until then, torrent is how we protest while they create more and more insular streaming services to milk people $9/mo at a time.
I have been hearing people make this same basic argument since the 90s. (I'm sure it's older than that.) During that time the price of video and audio entertainment has decreased while availability and quality have vastly improved. Despite this, piracy is still going strong. The ideological goalposts used to justify it keep moving, but the desire for free stuff is timeless. (Not judging here -- I've certainly done my share.)
Adjusting for inflation: Twenty years ago, a DVD with one recent movie cost ~$30, or you could rent one for $5-8. One album on CD cost ~$20. Buying individual songs for the then-unheard of price of $1.65 (99 cents at the time) on iTunes was brand new. They had limited bit rate and DRM, and you had to buy an expensive iPod if you wanted to use them conveniently. If you wanted good TV shows, you paid something like $60-80/month for cable TV (more if you wanted to watch The Sopranos) and had to watch on a schedule, with lots of ads.
If you compare that to today's world of cheap streaming services, high-quality DRM-free music, and even cheaper physical media, it's not even a contest.
- sph 3y agoThat's a very US centric view of the problem. Because these days if you leave the borders of your country, you'll see that the streaming world is still a fragmented archipelago of crappy B-tier licensed movies, while the good stuff people want to watch is only available in the US through a VPN. And cable TV or films at the cinema are as expensive as ever. Which is why Spotify has had an incredible success worldwide and music piracy has reduced dramatically: their repertoire is very comprehensive and mostly the same everywhere in the world. People really want to believe it is a money issue, and they are just terribly misguided. Gabe Newell is absolutely right here, and he knows piracy, as he deals with the demographic with expensive needs (gamers wanting the latest $70 game) and the least money (as young gamers don't have a job, or don't earn a lot) It is not a money problem.